Went down to Cabo for a few days and then out on the Solmar V to the Soccoros for a week in mid-January. It can always be a crap shoot, and the last trip I made (this is my third) was in January and was spectacular. This time we had wind and cool weather in Cabo for most of the 5 days before the trip.
The islands really had gotten beat up with the hard rain and wind. Fortunately, it had improved as we left. Unfortunately the seas were choppy and the wind was still bad for the first couple of days. The viz, was pretty bad, worst I've seen, normally it's 80-100', but we had more like 20' horizontal and 40' vertical. We couldn't see our fins at Cabo Pearce. Frustratingly, there was pretty decent animal interactions, with lots of hammerheads and even a small Tiger at Canyons, but pretty much impossible to shoot!
Roca Partida had a bit better viz, but lumpy seas and strong currents. There was a small school of Galapagos sharks, but the group scared them away. Normally it's crystal clear and can have an amazing amount of animals.
Finally, we got back to San Benedicto and El Boiler was pretty good, although very hazy, pretty bad in the afternoon. But the mantas were playing and over the course of 8 dives I managed to get some images I liked, by getting within a few feet.
Oh well, that's blue water diving for you. The next couple of week's trip reports afterwards had the viz back and conditions excellent. The crew on the Solmar V is fantastic, the old boat still works out quite well, great food, huge camera table and everyone had fun.
We do have a charter in 2015 in March concentrating on shooting the humpback whales that migrate there then. I'll have an announcement up soon.
Here's a few shots. They were taken with a Nikon D800, Sigma 15mmFE, in a Nauticam NA-D800 housing and Zen 230mm dome port with 2x Sea & Sea YS-D1 strobes. This system is very easy to use underwater as it is neutral and fairly compact for it's capabilities.
A Tale of Two Cameras: Photo Expedition to Taveuni and Rainbow Reef
brave folks came along on our first shop trip to Taveuni, Fiji this
October. The long flights from LAX through Nadi to The Garden Island
Resort went smoothly, and the friendly staff greeted us with warm
welcomes and traditional songs. Our rooms were spacious, with fresh
tropical flowers, and spa style bathrooms. We were anxious to get in a
check-out dive right away, but the dive shop wasn’t prepared for our
arrival, so things were bit disorganized. Having had a lot of experience
in running dive trips, I was able to quickly get them back on track.
the rest of the week went more smoothly, with two dives in the morning
and one in the afternoon. Rainbow Reef, in the Somosomo Straits between
Taveuni and Viti Levu was a short 20 min run out, and had a great
variety of dive sites, from top-of-the-reef hard corals, sandy slots, to
short/deep walls and caves. Currents were up and down, and really took
the experienced guides to figure out. They would be running one way on
one side of the reef and reverse direction on the other side. Many times
we would drift down, then up and over and come back. The wall entrance
to The Great White wall was a swim-through that started at 35’ and came
out at 80’, then ended with another short swim-though from 65’ back to
30’. Our dive profiles were pretty zig-zaggy as a result, and it played
havoc with some divers’ ears.
Fiji has amazing soft and hard
corals, gorgonian fans and other invertebrates with Technicolor hues.
These incredible vistas left all sorts of subject matter for
photography. There are also large amounts of small and medium-sized
fish, with a few larger ones wandering by from time to time; white-tip
and bronze whaler sharks, a large napoleon wrasse, turtles, etc. The
Somosomo Straits doesn’t have as many large animals as other spots, but
there certainly is a variety of life.
Our surface intervals were
a treat: we were able to pull up to a beautiful park on the other side
of the straits that had a wide sandy beach and shady palm trees to take a
quick nap under. Fresh coconuts that the guides broke open accompanied
our snacks and clouds of small fish were fun to snorkel with.
Go Large or Go Home While
most photographers who travel are moving to smaller rigs I seem to be
moving in the other direction. Having started with a small Sea & sea
film rig, I moved through the range of Fuji compacts on to larger Nikon
DSLRs. I was very happy with the size and performance of my Nikon D7000
until I had a chance to shoot a full-frame D800 camera. My feeling now
is that I don’t mind the increased size if I can get better quality, a
much broader dynamic range and have faster performance with better
control. It’s all going to go in one bag anyway, so you might as well
had brought two complete Nauticam DSLR systems to Fiji, my trusty Nikon
D7000 and a new D800 full-frame, thinking to try one against the other –
size vs. performance. I also thought that the other folks might want to
try one out. However, no one took me up on the offer; they all elected
to stick with the cameras they brought with them.
I had rented
the D800 body and Sigma 15mmFE and heartily endorse the idea of renting a
camera or specialty lens for a trip, especially if you aren’t sure what
you want, or won’t use it very often. (I wanted to also look at the new
D600 later on.) Moving from cropped-sensor DX to full-frame FX will
entail changing several lenses, as most DX lenses simply don’t have
enough resolution to use with a 36MP sensor. I plan on trying out
professional quality lenses, and buying them only after I have enough
experience to justify their expense.
I shot the D7000 the first
day, with my usual Tokina 10-17 and then switched over to the D800,
shooting with a Sigma 15mm fisheye lens, which for a relatively
inexpensive lens is very sharp and focuses much closer than the 16mm
Nikon FE. I later added a Kenko 1.4x teleconverter to the Sigma wide
angle (while adding a 20mm extension) and really liked the magnified
sharpness that the 21mm rectilinear format setup provided. You lose a
little image area, but it seems to pull in and focus the fine details of
the corals with less distortion at the corners.
The 105VR macro
shoots about like the 60mm macro does on DX, with a bit more reach, but
subsequently it is harder to lock focus. I would recommend using at
least a +5 diopter, maybe more, depending on what you want to shoot.
This allowed me to get much closer and eliminate some water between the
subjects and myself. I did find that it wouldn’t lock focus at distance
on the D800, unlike using it on the D7000, where I like to shoot fish
unexpected bonus was how large and bright the full-frame viewfinders
are. You not only get a third larger sensor, but you also get a third
larger, 100% viewfinder!
The difference in dynamic range, detail
and overall image quality with the D800 was much greater than I
expected on full-frame, and after reviewing the images on my computer,
the D7000, while an amazing camera, just didn’t compare. All of a sudden
this became an expensive dive trip!
Where the D7000 is nice and
small, the D800 is more of a “voluptuous” size and weight. Surprisingly
though, the D800 with an 8.5” dome port, was very light in the water,
maybe even lighter than the D7000, while out of water it is a bit of a
But a larger physical-sized rig has advantages. The
Nauticam D800 has incredibly nice controls, many moved out to levers,
they are spread out and fall right under my hands. Even better when
using gloves in cold water. My favorite is the ISO: flip it down, scroll
with the main control wheel and pop it back up. With the D7000, and
most Nikons, if you select menu item “hold button until released”, it
can work the same way, but with a push of a button instead of a lever.
It saves having to use two hands to make an ISO or other change.
one thing I really would miss from the D7000 is the small Zen 100mm
dome port, along with the Tokina 10-17 FE zoom lens. You can really cram
it into smaller spots when shooting CF/WA. With full-frame, you really
have to shoot a larger dome, and I was using the 8.5” acrylic dome on
this trip. The advantages of a larger dome are many: better corners and
overall quality, the ability to use more wide-open f-stops and the
ability to shoot over-and-unders. I would probably switch to a Zen 200mm
or large 230mm mega-dome glass port for a little more crispness.
used to shooting in high ISOs was the biggest change for me. It felt
really “wrong” to use ISO 800 in the caves, as I’m so used to getting a
lot of noise as a result. The D800 and other new FX cameras can be shot
at very high ISOs without penalty. ISO 800 looks about like 200 on a DX
camera and even higher ISO settings of 1200 or above show little noise.
As I progress, I will find that shooting in available light, and maybe
experimenting with filters at higher ISOs will be a huge sea-change and
will open up a lot of new avenues for shooting shallow water, deeper
wrecks, caves, or at night.
“Batting” It All Around Every
night at Taveuni we had hundreds of huge fruit bats come home to roost
in the trees. Chirping, chattering and the occasional full screams
accompanied our nights’ rest. Like the difference in technology between
my cameras, the contrasts between the colorful soft corals and primal
bats, the modern hotel in its eco-friendly surroundings and the
primitive local houses, made for an interesting cultural experience.